I think you can rediscover yourself and become something different, and that’s cool. You can never get the Fuck You of your 20s back. And if they’re lucky, they make a lot of music in that time. It digs through all, pulls it out and goes, “Are you ready? ’Cause I’m about to fuck you up.” And then it does.īenny Horowitz (drums): Every band has one really special time. There’s something going on with the chords, along with Brian, the production, that gets through all the bullshit in everyone’s fuckin’ head and goes to the core of who that person is and their heart and their blood and their family and their dad and their mom and their grandfather and their sister and who they should call. Joe Sib (cofounder, SideOneDummy Records): “The ’59 Sound” affects me and affects people emotionally. So while you’re wondering which song they’re gonna play when we go, here’s the complete oral history of The ’59 Sound. The result, even 10 years later, is a record that endures. A hat tip to the history of American songwriting, anchored by the drumming of a hardcore lifer, tinged by the sounds of classic soul, The ’59 Sound is an album of disparate influences that makes sense only when you hear it. And if it doesn’t work, we’re fucked.’”įueled by that urgency, The ’59 Sound turned into an unlikely triumph that eventually received a blessing from the Boss himself. “There was this element the whole time like, ‘We’re doing this. “None of us were in very comfortable situations in our lives when this was going on,” says drummer Benny Horowitz. It was the life of endlessly optimistic diehards holding onto the threads of a dream. That night, they made dinner with the kid’s quesadilla maker and then crashed on his floor. “I was living out of a backpack.” The band took a show in Joplin, Missouri, on a whim after a Myspace message from a local high schooler. “I’d be excited to do anything or go anywhere,” says guitarist Alex Rosamilia. Their touring schedule was constant, both as a way to scrounge up a fan base and to avoid paying rent. When Gaslight played a packed show at the Iron Monkey in Jersey City in July 2007, the pay was $75 and a case of beer. Even as the interest around the group began to build, the rewards were modest. The album was a follow-up to their 2007 debut, Sink or Swim, which had been adored in basements around New Brunswick but rarely heard outside the insular world of punk rock. This Friday, SideOneDummy Records will release the original demo sessions for The ’59 Sound, a glimpse into the band’s first stab at a record that would take on meaning few imagined.
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